Wednesday, October 7, 2015

Leonard Cohen (lyrics)

A Thousand Kisses Deep Lyrics

The ponies run, the girls are young
The odds are there to beat
You win a while and then it's done
Your little winning streak
And summoned now to deal
With your invincible defeat
You live your life as if it's real
A thousand kisses deep
I'm turning tricks, I'm getting fixed
I'm back on boogie street
You lose your grip and then you slip
Into the masterpiece
And maybe I had miles to drive
And promises to keep
You ditch it all to stay alive
A thousand kisses deep
And sometimes when the night is slow
The wretched and the meek
We gather up our hearts and go
A thousand kisses deep
Confined to sex we pressed against
The limits of the sea
I saw there were no oceans left
For scavengers like me
I made it to the forward deck
I blessed our remnant fleet
And then consented to be wrecked
A thousand kisses deep
I'm turning tricks I'm getting fixed
I'm back on boogie street
I guess they won't exchange the gifts
That you were meant to keep
And quiet is the thought of you
The file on you complete
Except what we forgot to do
A thousand kisses deep
And sometimes when the night is slow
The wretched and the meek
We gather up our hearts and go
A thousand kisses deep
The ponies run, the girls are young
The odds are there to beat
You win a while and then it's done
Your little winning streak
And summoned now to deal
With your invincible defeat
You live your life as if it's real
A thousand kisses deep
 
Songwriters
COHEN, LEONARD / ROBINSON, SHARON

 

Leonard Cohen - A Thousand kisses deep


Tuesday, October 6, 2015

Octavio Paz (1914-1998)

The Bridge



Between now and now,
between I am and you are,
the word bridge.

Entering it
you enter yourself:
the world connects
and closes like a ring.

From one bank to another,
there is always
a body stretched:
a rainbow.
I'll sleep beneath its arches.
 
Octavio Paz :

Monday, October 5, 2015

Jorge Eduardo Eielson (b.1924)


Prince of Oblivion

Am I, spinning sands, unbound stars,
caved-in sky, the one who leans
and kisses her pure face between veils and serpents?
A thousand years asleep beside a skull, I have kissed her.
Over my head her breathing goes forth,
Her deaf lips, like a noise of drums.
Unbreathable and holy is her punishment, her skeleton!
(Here, under the shadow, velvet crater,
Wisely furnished is the volcano, that which is hers
Like fire, forgotten halls of horrid lace,
Sofas where her body hoarsely cries, beheaded.)
Burial of the flesh, I ask of you,
Caged horses, unattainable dust,
Just one warm, perfect moment by her side,
Just one moment alive, and oblivion, the flow
Of a thousand years shattered by a kiss.
Her face adrift matters no more, illumined
And dripping with snails, the ten fingers
Of turquoise in which she dilutes the ages.
Her lighted lantern underground matters no more,
If before that she was to surround me tamely
With her eyes and her lips still living,
If before that she was to attend, like a shadow, the fall
Of the fruit on the world. Vitreous mansions
With lizard wings, amid the clouds,
Aerial lakes pass by before me, flapping their ashes.
I only know, my buried queen, unmoving gorgon,
Which is my chair and crown, which is my sadness. 

Sunday, October 4, 2015

Gioconda Belli (b.1948)

MENOPAUSE

So far,
all over the world,
women have survived it.
Perhaps it was that our grandmothers were stoic
or, that back then, they weren’t entitled to complain,
still they reached old age
wilting bodies
but strong souls.
Now, instead,
dissertations are written on the subject.
As early as thirty agony sets in,
Foretelling the catastrophe.

A body is much more than the sum of its hormones.
Menopausal or not
a woman remains a woman,
beyond the production of secretions or eggs.
To miss a period does not imply the loss of syntax
or coherence;
it shouldn’t lead to hiding
as a snail in a shell,
nor provoke endless brooding.
If  depression sets in
it won’t be a new occurrence,
each menstrual cycle has come to us with tears
and its load of irrational anger.
There is no reason, then,
to feel devalued:
Get rid of  tampons
and sanitary napkins!
Use them to light a bonfire in your garden!
Be naked
Dance the ritual of aging
And survive
Like so many
Before you.




 


GIOCONDA BELLI
is an author, novelist and renowned Nicaraguan poet. 

Friday, October 2, 2015

Jorge Luis Borges (1899-1986)

Simplicity



It opens, the gate to the garden
with the docility of a page
that frequent devotion questions
and inside, my gaze
has no need to fix on objects
that already exist, exact, in memory.
I know the customs and souls
and that dialect of allusions
that every human gathering goes weaving.
I've no need to speak
nor claim false privilege;
they know me well who surround me here,
know well my afflictions and weakness.
This is to reach the highest thing,
that Heaven perhaps will grant us:
not admiration or victory
but simply to be accepted
as part of an undeniable Reality,
like stones and trees.
 
Jorge Luis Borges :

Thursday, October 1, 2015

Li-Young Lee (b1958)

The City In Which I Loved You



And when, in the city in which I love you,
even my most excellent song goes unanswered,
andI mount the scabbed streets,
the long shouts of avenues,
and tunnel sunken night in search of you...

That I negotiate fog, bituminous
rain rining like teeth into the beggar's tin,
or two men jackaling a third in some alley
weirdly lit by a couch on fire, that I
drag my extinction in search of you...

Past the guarded schoolyards, the boarded-up churches, swastikaed
synagogues, defended houses of worship, past
newspapered windows of tenements, along the violated,
the prosecuted citizenry, throughout this
storied, buttressed, scavenged, policed
city I call home, in which I am a guest...

a bruise, blue
in the muscle, you
impinge upon me.
As bone hugs the ache home, so
I'm vexed to love you, your body

the shape of returns, your hair a torso
of light, your heat
I must have, your opening
I'd eat, each moment
of that soft-finned fruit,
inverted fountain in which I don't see me.

My tongue remembers your wounded flavor.
The vein in my neck
adores you. A sword
stands up between my hips,
my hidden fleece send forth its scent of human oil.

The shadows under my arms,
I promise, are tender, the shadows
under my face. Do not calculate,
but come, smooth other, rough sister.
Yet, how will you know me

among the captives, my hair grown long,
my blood motley, my ways trespassed upon?
In the uproar, the confusion
of accents and inflections
how will you hear me when I open my mouth?

Look for me, one of the drab population
under fissured edifices, fractured
artifices. Make my various
names flock overhead,
I will follow you.
Hew me to your beauty.

Stack in me the unaccountable fire,
bring on me the iron leaf, but tenderly.
Folded one hundred times and
creased, I'll not crack.
Threshed to excellence, I'll achieve you.

but in the city
in which I love you,
no one comes, no one
meets me in the brick clefts;
in the wedged dark,

no finger touches me secretly, no mouth
tastes my flawless salt,
no one wakens the honey in the cells, finds the humming
in the ribs, the rich business in the recesses;
hulls clogged, I continue laden, translated

by exhaustion and time's appetite, my sleep abandoned
in bus stations and storefront stoops,
my insomnia erected under a sky
cross-hatched by wires, branches,
and black flights of rain. Lewd body of wind

jams me in the passageways, doors slam
like guns going off, a gun goes off, a pie plate spins
past, whizzing its thin tremolo,
a plastic bag, fat with wind, barrels by and slaps
a chain-link fence, wraps it like clung skin.

In the excavated places,
I waited for you, and I did not cry out.
In the derelict rooms, my body needed you,
and there was such flight in my breast.
During the daily assaults, I called to you,

and my voice pursued you,
even backward
to that other city
in which I saw a woman
squat in the street

beside a body,
and fan with a handkerchief flies from its face.
That woman
was not me. And
the corpse

lying there, lying there
so still it seemed with great effort, as though
his whole being was concentrating on the hole
in his forehead, so still
I expected he'd sit up any minute and laugh out loud:

that man was not me;
his wound was his, his death not mine.
and the soldier
who fired the shot, then lit a cigarette:
he was not me.

And the ones I do not see
in cities all over the world,
the ones sitting, standing, lying down, those
in prisons playing checkers with their knocked-out teeth:
they are not me. Some of them are

my age, even my height and weight;
none of them is me.
The woman who is slapped, the man who is kicked,
the ones who don't survive,
whose names I do not know;

they are not me forever,
the ones who no longer live
in the cities in which
you are not,
the cities in which I looked for you.

The rain stops, the moon
in her breaths appears overhead.
the only sound now is a far flapping.
Over the National Bank, the flag of some republic or other
gallops like water on fire to tear itself away.

If I feel the night
move to disclosures or crescendos,
it's only because I'm famished
for meaning; the night
merely dissolves.

And your otherness is perfect as my death.
Your otherness exhausts me,
like looking suddenly up from here
to impossible stars fading.
Everything is punished by your absence.

Is prayer, then, the proper attitude
for the mind that longs to be freely blown,
but which gets snagged on the barb
called world, that
tooth-ache, the actual? What prayer

would I build? And to whom?
Where are you
in the cities in which I love you,
the cities daily risen to work and to money,
to the magnificent miles and the gold coasts?

Morning comes to this city vacant of you.
Pages and windows flare, and you are not there.
Someone sweeps his portion of sidewalk,
wakens the drunk, slumped like laundry,
and you are gone.

You are not in the wind
which someone notes in the margins of a book.
You are gone out of the small fires in abandoned lots
where human figures huddle,
each aspiring to its own ghost.

Between brick walls, in a space no wider than my face,
a leafless sapling stands in mud.
In its branches, a nest of raw mouths
gaping and cheeping, scrawny fires that must eat.
My hunger for you is no less than theirs.

At the gates of the city in which I love you,
the sea hauls the sun on its back,
strikes the land, which rebukes it.
what ardor in its sliding heft,
a flameless friction on the rocks.

Like the sea, I am recommended by my orphaning.
Noisy with telegrams not received,
quarrelsome with aliases,
intricate with misguided journeys,
by my expulsions have I come to love you.

Straight from my father's wrath,
and long from my mother's womb,
late in this century and on a Wednesday morning,
bearing the mark of one who's experienced
neither heaven nor hell,

my birthplace vanished, my citizenship earned,
in league with stones of the earth, I
enter, without retreat or help from history,
the days of no day, my earth
of no earth, I re-enter

the city in which I love you.
And I never believed that the multitude
of dreams and many words were vain.
 
Li-Young Lee :